Review: Marie-Antoinette by Stefan Zweig

1320141Blurb:

Life at the court of Louis XVI and Marie Antoinette has long captivated readers, drawn by accounts of the intrigues and pageantry that came to such a sudden and unexpected end. Stefan Zweig’s Marie Antoinette is a dramatic account of the guillotine’s most famous victim, from the time when as a fourteen-year-old she took Versailles by storm, to her frustrations with her aloof husband, her passionate love affair with the Swedish Count von Fersen, and ultimately to the chaos of the French Revolution and the savagery of the Terror. An impassioned narrative, Zweig’s biography focuses on the human emotions of the participants and victims of the French Revolution, making it both an engrossingly compelling read and a sweeping and informative history.

Review:

What is the sum of a life? The manner in which an individual toiled away the majority of her living hours, the way history chooses to remember her, or how she approaches her final days, trying to live while knowing all that awaits her is death? In evaluating the sum of Marie-Antoinette’s life, the answer to this question is critical. Her rich story has been combed over by many a magnifying glass both during and after her reign as Queen of France, and it’s so full of anomalies that more than two centuries later, it’s still impossible to fully appreciate this historical figure, icon of an era, both vixen and victim. Stefan Zweig, however, in this seminal biography, does his best. In a way he seems to acknowledge the impossibility of it by noting the existence of several distinct Marie-Antoinette’s, one for each distinct epoch of history she occupied in her abridged life of 37 years.

He begins with Marie-Antoinette’s voyage to France at the age of 14 to unite the feuding Bourbon and Habsburg crowns. Married to the impotent, indecisive, and altogether unroyal dauphin—soon-to-be Louis XVI, who will keep the most hilarious personal journal of all-time: his entry on July 14, 1789, the day the Parisians take the Bastille and kick off the Revolution reads, “Rien,” that is, “Nothing”—Marie-Antoinette tries to lose herself in a world of superficiality. Gambling, dances, dresses, and theatre occupy her first decade in France. She is the symbol of the era of rococo, the brilliant zenith of an age of luxury and carelessness birthed by Louis XIV. From Versailles she idles away her days, much to the chagrin of her mother, Empress Marie-Thérèse of Austria, who pleads her daughter for political seriousness. Marie-Antoinette responds, “Que me veut-elle? J’ai peur de m’ennuyer,” her words a motto for the era (“What does she want from me? I’m scared of being bored.”).

But the tableau darkens. For Marie-Antoinette, home, that is, Versailles, will soon become a second-rate palace in Paris, which will become a guarded tower in prison, which will become a single jail cell, which will become an unmarked grave. She doesn’t know it, but we and Stefan Zweig do, which makes her various inadequacies in the years leading to the Revolution, evinced in fantastically entertaining affairs like “L’affaire du collier,” where she’s blamed for the theft of a diamond necklace, so vexing. A girl who does everything to eschew seriousness will be killed for it. And we read on…

Finally, Marie-Antoinette realizes her mistakes and, late in the game, seems ready to play. The rules have changed, however. Blood and terror rule in Paris. The Queen of France is now “Madame Déficit.” It’s even a greater shame, then, that right when Marie-Antoinette finds herself a meaningful life with two children and a Swedish lover, her life is certainly over.

Zweig details this extreme love story and the incredible inner strength Marie-Antoinette demonstrates until her final step on the platform of the guillotine with extraordinary psychological and personal detail. Unlike other biographers, Zweig does not content himself in reciting facts; he is there to unpack and repackage this ill-fated queen’s very essence. His approach is somewhat suspect, based both on personal correspondence discovered in the Austrian archives and the records of her Swedish lover and the Freudian insights popular in Zweig’s time. But it’s so carefully researched, so lovingly researched, that it feels infallible.

Lately I’ve been wondering where humans find strength to survive in trying times. Where Marie-Antoinette found hers is a mystery: probably a combination between love for her family and friends and an ingrained, inborn belief that she was divinely royal. Has there ever been such a life? Such a magnificent story? Here Zweig recounts the life of a relic, the last and most gleaming example of an era, left to rot, headless, in an unmarked grave. But what Marie-Antoinette gives us, those who ponder her fate centuries later, is the possibility to remember her, marvel over her, and adopt some of the fortitude and wisdom with which she faced her final days.

5 out of 5 stars

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Review: Confessions of a Paris Party Girl by Vicki Lesage

20521413Blurb:

Wine, romance, and French bureaucracy – the ups and downs of an American’s life in Paris. This laugh-out-loud memoir is almost too funny to be true!

Drinking too much bubbly. Meeting sappy Frenchmen who have girlfriends or are creeps or both. Encountering problème after problème with French bureaucracy. When newly-single party girl Vicki moved to Paris, she was hoping to taste wine, stuff her face with croissants, and maybe fall in love.

In her first book, this long-time blogger and semi-professional drinker recounts the ups and downs of her life in Paris. Full of sass, shamefully honest admissions, and situations that seem too absurd to be true, Vicki makes you feel as if you’re stumbling along the cobblestones with her.

Will she find love? Will she learn to consume reasonable amounts of alcohol? Will the French administration ever cut her a break?

Review:

Oh how I wish the author’s trials and tribulations in France didn’t ring so true! But France is France–one of the most impossibly frustrating and impossibly lovely countries in the world–and life here is never simple but never boring.

This is a fun memoir that I gulped down in two hours. Vicki has a wonderfully chatty voice, though at times it veered a bit too informal for my taste. Reading this book was like talking with another expat friend over a pint of Kronenbourg. Miserable appointments to the immigration office followed by “Strip! and take a lung selfie!”? Been there. French people wrinkling their noses asking, “Vous préférez que je parle en anglais, Mademoiselle?” Been there. Charming, self-assured Frenchies with zero knowledge of American geography who become your new BFFs over the course of a Friday night and numerous bottles of wine? Been there.

Alongside her fantastically recounted stories of French life, Vicki gave me encouragement that this whole France thing works out even in the darkest moments. This is a terrific ode to an exasperating country. For any expat, it will remind you why you persist on living here even when the Sécurité Sociale asks you to submit your birth certificate (apostilled, officially translated, and no less than 6 months old, of course!) for the fourth time in four months. For any Francophile considering a séjour in France, it will convince you to give it a try, but caution you about the inevitable struggles you’ll encounter. A funny, happy, and informative read!

4 out of 5 stars